2/ Storyboard prompt

Create a polished horizontal 16:9 Chinese twelve-panel action storyboard titled “Fifth Brother Eight-Trigram Staff · Ferry Long-Bridge Chase-Fight Highlight.”

Use a cinematic, photorealistic action-storyboard style—not a sketch, comic, or cartoon. The twelve panels must not be twelve unrelated poses. They must trace one continuous action path as the same protagonist advances along a long ferry bridge with a staff, fighting from the shore entrance to the bow of a covered boat.

The protagonist is a Chinese male staff-fighting expert around 28 years old. He wears a dark gray or light-brown short martial jacket, dark trousers, cloth shoes, wrist guards, and a cloth belt. Throughout the sequence he uses only one old-wood staff of fixed length. Limit the opponents to three or four people with clearly different builds, clothing, and weapons; none may duplicate the protagonist’s face.

Keep the setting fixed along this route: shore entrance → front section of the narrow wooden bridge → obstacle area at mid-bridge → narrow bridge section connected to the pier → covered-boat docking area → final pose on the bow. Include river water, the wooden bridge, bridge-side posts, covered boats, punting poles, hemp ropes, wooden crates, fishing nets, and a small number of straw-raincoat curtains.

The twelve storyboard beats are: 01 steps onto the bridge, 02 frontal thrust, 03 horizontal staff block, 04 staff press and forward drive, 05 side-step evasion, 06 returning staff strike, 07 sweeps a crate aside, 08 repositions at the bridge edge, 09 shifts position using the boat, 10 chained staff attacks break the encirclement, 11 pole-vaults onto the boat, 12 final pose on the bow.

The full set must clearly feel like one continuous forward-moving take. Show staff collisions, blocks, sweeps, presses, ground plants, and leverage clearly. Keep the wooden bridge, covered boat, ropes, crates, and fishing nets consistent from panel to panel without deformation or random jumps. Place the main Chinese title “五郎八卦棍” at the top, with the subtitle “渡口长桥追战高光片.” Keep only a short Chinese shot name in each panel.

3/ Seedance video prompt

Create a roughly 15-second, horizontal 16:9, cinematic live-action martial-arts video. Use the twelve-panel storyboard as reference only for character design, action sequence, spatial relationships, route progression, and climax. Do not retain panel borders, numbering, titles, or text. The final output must be one clean, continuous cinematic shot.

The theme is “Fifth Brother Eight-Trigram Staff · Ferry Long-Bridge Chase-Fight Highlight.” The entire video is one continuous take. The camera follows the protagonist from the shore entrance along the narrow wooden bridge to the bow of a covered boat. The setting is a waterside ferry crossing with a long narrow bridge over the river, bridge-side wooden posts, covered boats, punting poles, hemp ropes, wooden crates, and fishing nets. The bridge must stay narrow, long, and slightly springy, with water on both sides and stable spatial relationships throughout.

The protagonist is a young staff-fighting expert wearing a dark gray or light-brown short martial jacket, dark trousers, cloth shoes, wrist guards, and a cloth belt. He uses only one old-wood staff of fixed length throughout the video; the staff must not deform. Limit the opponents to three or four people with clearly different builds, clothing, and weapons; none may duplicate the protagonist’s face.

The action sequence is: step onto the bridge, frontal thrust, horizontal staff block, staff press and forward drive, side-step evasion, returning staff strike, sweep a crate aside, reposition at the bridge edge, shift position using the boat, chained staff attacks to break the encirclement, pole-vault onto the boat, and final pose on the bow. Clearly show the Eight-Trigram Staff techniques of pressing, sealing, bracing, snapping, sweeping, thrusting, returning strikes, and planting the staff for leverage. The focus is not decorative staff spinning, but realistic combat in a narrow space, staff-on-weapon contact, and interaction with the environment.

The climax must work clearly: at the end of the pier, the protagonist blocks the final obstruction, plants the long staff for leverage, vaults onto the bow of the covered boat, lands, turns back, and settles into a final staff pose. Do not cut the shot. Do not use slow motion, duplicate the protagonist, copy faces, change the staff length, collapse the bridge, jump between spaces, add fantasy effects, use anime styling, or render it like a video-game cinematic.