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Ming-style Hanfu wedding prompt

One prompt set generates the result—posters, covers, product shots, or series.

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Based on two clear real-life photos uploaded by the user, generate high-budget, realistically photographable Ming-dynasty Hanfu wedding portraits. Strictly preserve the real identity features of both people, including face shape, facial proportions, eyes, nose, lips, skin tone, age impression, temperament, height and body-type difference, and recognizability. Every image must clearly show the same real couple. Do not change faces, do not create influencer fake faces, do not over-Westernize, do not over-smooth skin, and do not create obvious AI feeling.

Overall theme: Ming-dynasty Hanfu wedding portraits. Clothing, makeup, hair, accessories, props, and scene should all refer to real Ming wedding aesthetics, photographed with the quality of a high-end bridal studio sample: dignified, grand, ornate, restrained, and ceremonial.

Character setup:
Bride: wear Ming-style bright red wedding attire, such as phoenix crown and xiapei, gold-woven wide-sleeve robe, round-collar robe, aoqun, xiapei hanging bands, cloud collar, etc. Fabrics should look thick and expensive, with clear gold weaving, embroidery, kesi, and woven floral texture. Patterns should mainly include phoenix, peony, round floral medallions, cloud patterns, sea-and-cliff motifs, cranes, and other auspicious traditional motifs. The headdress must be a Ming phoenix crown with gold phoenixes, kingfisher-blue details, pearl tassels, gemstones, floral branches, side ornaments, and layered craftsmanship. Hair must be center-parted and sleek against the temples, low bun or classical updo. Do not use loose modern long curls, Qing-dynasty headwear, or Tang-style high buns. Makeup should be high-budget bridal retouching makeup: clean fine base, clear brows, refined eye makeup, lively eyes, natural lashes, slightly lifted eyeliner, clean mid-face, and red or deep-red lips. Overall: dignified, noble, classical.

Groom: wear a Ming bright red round-collar robe or formal Ming wedding male attire, with clear chest insignia or gold-woven motifs, heavy structured fabric, jade belt or waist belt, black boots, and complete details. He wears a black gauze hat or futou. His temperament is handsome, upright, gentle, scholarly, and ceremonial. Across the set he must appear in different states: front face, 3/4 face, side profile, seated front view, walking motion, leaning interaction, etc. He must not always stand behind the bride on the right, and must not always only smile faintly with his head lowered.

Fixed wardrobe continuity:
Throughout the whole set, the bride and groom must keep the same fixed Ming wedding costumes. Do not change clothing style, headdress structure, main pattern, main color, or overall styling because the shot changes. Different photos may reveal different parts due to angle, action, or framing, but it must essentially be the same wedding outfit. The bride always wears the same bright red Ming wedding set with phoenix crown and xiapei, red base, gold embroidery, and small kingfisher-blue headdress details. The groom always wears the same bright red Ming round-collar wedding robe with the same hat style, chest insignia or gold-woven pattern, waist belt, and formal structure.

Scene and props:
Use a high-budget Chinese wedding studio set or ancient-architecture bridal chamber interior: red drapes, Ming-style wooden furniture, double-happiness center panel, palace lanterns, dragon-phoenix candles, round fan, red veil, wedding wine vessels, wedding tray, blue-and-white porcelain, carved windows, red bed curtains, dark wooden beams, folding screens. Props should be refined and real, serving the relationship rather than cluttering the frame.

Lighting:
Use warm red-gold cinematic Chinese wedding lighting with layered depth, not a flat dead-red background. Use warm key light for faces and costume texture, candlelight for local atmosphere, window soft light or side backlight to outline phoenix crown tassels, pearls, and fabric texture, while retaining deep wood and red layers in the shadows. The result should look like a premium Chinese bridal sample, not a standard studio red-cloth background.

Expression, action, gaze, and composition:
Avoid repetition. Every image should vary expression, gaze relationship, interaction, shot scale, camera position, and groom placement. Do not always use the same smile, do not always have both people looking at each other, and do not always place them front-facing side by side. The groom should become the action initiator or visual focus in at least three images. Include looking at the camera, looking at each other, looking at props, lowered quiet gaze, and offset gaze. Include full-body, 7/8 body, half-body, and close-up shots; eye-level, slightly low-angle, and slightly high-angle views. Actions should be restrained, classical, and ceremonial, not vulgar intimacy or modern idol-drama hugging.

Output:
Each image should be a standalone finished 3:4 vertical composition, high-resolution, cinematic, high-end bridal sample quality, clean image, no collage, no nine-grid, no text, no logo, no watermark.

Avoid Qing court style, Tang chest-high ruqun, Song minimalist pale style, hanbok feeling, opera costume feeling, cheap red-cloth studio background, modern loose hair, repetitive groom angles, fake faces, deformed fingers, blurred clothing patterns, wrong phoenix crown structure, imbalanced proportions, strange perspective, over-smoothed skin, and stiff expressions.

8 shot prompts:
01 Main wedding ceremony poster: bride and groom stand in the center of the bridal chamber with a double-happiness panel and red drapes behind them, palace lanterns and dragon-phoenix candles on both sides, dark Ming furniture in the background. Bride wears red phoenix crown and xiapei, holds a red embroidered round fan near the lower chest. Groom wears red Ming round-collar robe and black gauze hat. Both look at the camera with solemn, calm, dignified expressions. Full-body vertical composition, slightly low angle, warm red-gold key light, clear embroidery and jewelry highlights.
02 Before-bowing eye contact: wedding interior before red drapes and ceremony table with candles, wine vessels, and wedding tray. Bride lowers her fan slightly to reveal makeup; groom stands opposite at a respectful close distance, gently holding her sleeve or wrist. Bride looks at groom, groom looks at bride. 7/8 body eye-level view, warm light and candle atmosphere.
03 Groom adjusts the bride’s phoenix crown: candid interaction in a bridal chamber corner. Bride sits on a carved Ming chair or luohan couch, head slightly lowered, holding fan. Groom stands behind and to the side, clearly visible in 3/4 face, gently adjusting pearl tassels, hair ornaments, or xiapei shoulder. Half-body to 7/8 body, slightly high angle, delicate reflections on pearls and gold.
04 Lifting the red veil: bride sits on bed or couch wearing full red wedding attire and veil. Groom leans forward and lifts one corner of the veil. Bride’s face, red lips, and restrained eyes appear under the half-raised veil. Medium vertical composition, red veil as focal point, soft candlelight and warm key light.
05 Wedding wine ritual: bride and groom sit side by side or facing each other, each holding a cup with naturally crossed arms. Both look down at the cups or crossed hands instead of at each other. Calm, solemn ritual feeling, half-body to 7/8 body, candlelit tableware and embroidered sleeves emphasized.
06 Walking together with palace lanterns: the couple walks through red drapes and Ming corridor, sharing one red lantern or each holding one. Groom leads half a step and turns gently back to bride; bride looks at the lantern or back to him. Full-body vertical composition, slight low angle, candid movement, warm lamp light and dark red wooden layers.
07 Groom-led seated portrait: groom sits on a Ming chair in clear front face, composed and relaxed, with strong presence. Bride stands beside him holding fan and slightly turns toward him. Change the relationship so the groom is not a background accessory. 7/8 to full-body, formal light, clear wood and costume volume.
08 Quiet window close-up ending: the couple sits closer near a carved window or quiet bridal chamber corner. Bride holds red fan near chest or partly covering the lower face; groom sits close but restrained. Bride looks over the fan toward groom, groom quietly looks at her side profile. Close vertical composition, soft red drapes, candlelight, carved wood, and a calm emotional ending.

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